As he sits there, and has a very civil interview with Rolling Stone Brazil, Fif talks about how that concept just might not fit anymore. Oh well… Back to the drawing board.

You know the drill, check down bottom to see if Fiddy is coming to a city near you.

(more after break)

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And the conversation went a little something like this:

“I don’t believe in voodoo,” he said. “But it’ll be very addictive. The first time you’ll hear it, you’ll remember the songs that’s on there. It’s designed for fun — for listening pleasure.

I’m not in a hurry I kind of planned on releasing Black Magic … I gave myself a goal to try and put it out by the end of the summer, so I’ll work that hard on the actual project. If I don’t feel it’s ready by he end of the summer, I’ll just jeep it.”

He then goes on to talk about his summer tour that [Lloyd] Banks and [Tony] Yayo probably won’t join him on:

“It’s interesting because they probably won’t be coming with me. In the U.S., Banks has momentum with the first single off his new album, ‘Beamer, Benz or Bentley.’ So he’ll be out [on his own tour] with H.F.M. 2 (The Hunger For More 2). While he’s doing that, it probably wouldn’t make sense for Yayo to come with me because his record is almost done now — he should use that time to complete his record and release it shortly after. But I’ll be running around.”

And from there, Fiddy rounds it up by talking about new recruits:

“You’ll see new faces, because I’m looking for new artists now. I’ll sign new artists and take them with me and kinda groom them. I don’t specifically say, ‘I want this kind of artist’ — I look for talent that inspires me, that complements what I do with their own thing. Some of the stuff you can’t teach a person; they gotta have it.”

He does make some kind of sense. Take it away Fiddy.

“It’s interesting how [the censors] let things go. Standards on each artist are held completely different. The ‘P—y [Wagon].’ I’d like to see them leave that [license plate] clear and not blur it out when I make my next vehicle and it has the ‘P—y Wagon’ in it. You know? It’s interesting they let that fly. ‘It’s Britney, bitch!’ Nobody has a problem with that, but if I say, ‘It’s 50, bitch,’ they say, ‘Oh my God! You gotta edit that.

It’s their personal perception of your intentions, There’s actually a shot [in 'Telephone'] at the table in the diner where it’s just [breasts]. It looks great. But if I shot the same shot in my music video, they would make me edit it immediately. Even if I had a female talent that was a recognizable talent that I asked to be a part of the project, they wouldn’t let that go. They’d think in some way you are taking advantage of a woman for marketing purposes. It’s different standards. They’ll ask [me] to ask tell the girl to not turn around … if she’s dancing, for her to not turn around [in my video]. That’s the whole J.Lo show! It’s interesting, the standards they place on each artists.”



Here’s “Fiddy” spilling some of the beans on the project over in Norway.